Press
14.03.2019
In 1880, while Mesdag was making sketches for his Panorama from the highest dune in Scheveningen, land surveyors were trekking across the entire country drawing up a map of the Netherlands. The painter and land surveyors alike sought out the highest points in the landscape: the first to create a spatial illusion and the latter to measure distances accurately. What similarities and differences were there in the approach of the artist and that of the surveyors? Thanks to a collaboration between Panorama Mesdag and TU Delft, this theme is explored and explained in an accessible way.